Portrait of Freya Holm
[23] Oddfield 27Day 2 · 16:50–17:20
Day 2 · 16:50–17:20 · Hall B
Choosing the frame nobody shot

Photo editors spend most of their time saying no. Freya shows three stories where the published picture was the one the photographer liked least.

[02] BIOGRAPHY

In their own words, mostly

Written with the speaker and checked twice.

BASED IN

Copenhagen

ROOM

Hall B

STARTS

16:50

Freya Holm is picture editor at a Danish weekly, where she chooses around 300 photographs an issue from 20,000 submissions.

She judges two international photography awards and has a strict rule of looking at every contact sheet twice.

[03] THE TALK

Choosing the frame nobody shot

Photo editors spend most of their time saying no. Freya shows three stories where the published picture was the one the photographer liked least.

[04] ALSO SPEAKING

More people worth the train

[01]D1 · 09:40
Portrait of Ilse VargaMain Hall ↗
Ilse Varga
Portrait photographer
Lighting a face for a five-inch screen
[02]D1 · 10:20
Portrait of Tomas HoltHall B ↗
Tomas Holt
Type designer, Holt Letters
A typeface that knows it lives on a watch
[03]D1 · 11:00
Portrait of Amara OyelaranMain Hall ↗
Amara Oyelaran
Creative director, Fieldhouse Records
Album art after the album
[04]D1 · 11:40
Portrait of Rufus BrennanThe Loft ↗
Rufus Brennan
Set designer for film
Building a room the camera only sees once

[05] TICKETS

One question from the floor could be yours

[13] ONE EMAIL, WHEN THE PROGRAMME PRINTS

Hear about speakers before the posters go up

Four emails a year: the first names, the full programme, the workshops and the week before the doors open. Nothing else.

Doors open in
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See you under the crane rails.

Kraanhal · Maashaven Oostzijde 21 · Rotterdamhello@oddfield.example© 2027 Oddfield. Printed in ultramarine.

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