Portrait of Kwame Asante
[06] Oddfield 27Day 1 · 13:30–14:00
Day 1 · 13:30–14:00 · Main Hall
Why every render needs one mistake

Perfect renders look fake. Kwame breaks down the imperfections he adds on purpose: dust, a misaligned tile, a lens that breathes, and how he decides how many is too many.

3D artist and director

Kwame Asante

[02] BIOGRAPHY

In their own words, mostly

Written with the speaker and checked twice.

BASED IN

Accra and Berlin

ROOM

Main Hall

STARTS

13:30

Kwame Asante directs CGI films for sportswear, music and car brands from studios in Accra and Berlin. His short film Harmattan screened at 30 festivals.

He started modelling in a borrowed laptop's free software at fifteen and now teaches a free Sunday class for teenagers in Accra.

[03] THE TALK

Why every render needs one mistake

Perfect renders look fake. Kwame breaks down the imperfections he adds on purpose: dust, a misaligned tile, a lens that breathes, and how he decides how many is too many.

[04] ALSO SPEAKING

More people worth the train

[01]D1 · 09:40
Portrait of Ilse VargaMain Hall ↗
Ilse Varga
Portrait photographer
Lighting a face for a five-inch screen
[02]D1 · 10:20
Portrait of Tomas HoltHall B ↗
Tomas Holt
Type designer, Holt Letters
A typeface that knows it lives on a watch
[03]D1 · 11:00
Portrait of Amara OyelaranMain Hall ↗
Amara Oyelaran
Creative director, Fieldhouse Records
Album art after the album
[04]D1 · 11:40
Portrait of Rufus BrennanThe Loft ↗
Rufus Brennan
Set designer for film
Building a room the camera only sees once

[05] TICKETS

One question from the floor could be yours

[13] ONE EMAIL, WHEN THE PROGRAMME PRINTS

Hear about speakers before the posters go up

Four emails a year: the first names, the full programme, the workshops and the week before the doors open. Nothing else.

Doors open in
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See you under the crane rails.

Kraanhal · Maashaven Oostzijde 21 · Rotterdamhello@oddfield.example© 2027 Oddfield. Printed in ultramarine.

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